Consumer behaviour provides a range of
concepts to help fashion marketers think about their customers, and marketing
research provides the techniques to measure those concepts. Consumer behaviour is
also closely integrated with all other aspects of fashion marketing, but most
notably with the selection of target markets and the development of marketing mixes.
The study of consumer behaviour not only
provides a framework for identifying consumer needs and target markets, but it
also enables the anticipation of consumer responses to marketing action. When studying
the consumer the interest lies not only in describing what is the case, but
also in predicting future behaviour.
The marketing mix is the combination of
elements that a fashion marketer offers to a target market. It comprises
decisions made about products, prices, promotion and distribution that are assembled
in a coherent manner to represent the
company offering to the consumer.
Products are bought because they meet needs. These needs may be
mainly physiological such as the requirement for warmth or may include social
needs such as the desire to be thought sexually attractive. A psychological
need, for example, may relate to vanity and selfimage and be manifest in a
desire to perceive oneself as smaller or larger than reality. Styling skill can
create garments that emphasize or reduce the aspect size as wished, but a
limited amount of "psychological sizing" also can play a part.
The promotion of fashion items
requires an understanding of consumers media habits so that the correct media
can be chosen. Understanding consumer behaviour enables the selection of
appropriate promotional messages.
Price for many people is a major indicator of quality.
Style and design are sometimes diffi cult to judge, especially for the
untrained. Therefore some consumers take surrogate indicators of quality and in
particular price. An understanding of the perceptual process and how consumers
learn about prices and value is helpful in constructing a pricing policy.
The choice of an appropriate distribution
channel and designing elements within that channel should be based on an
understanding of the fashion consumer. Knowing when, where and how consumers
wish to buy are fairly obvious applications. Understanding and matching
selfimages and store images and creating particular store atmospheres to
encourage certain moods need research and ideas from consumer behaviour.
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